Why I choose Heavy Metal (why should you?)

I tried...technically! I can't say that I haven't. I tried to listen to popular music, when at the age of 9 or 10 (I don't really remember....

Ozzy: Rock Legend or Just a (Old) Man?

I have just watched the documentary "God Bless Ozzy Osbourne" which was apparently directed by his son Jack Osbourne. It has been characterised from monumental to insightful and generally received...

Brian Johnson Vs Bon Scott: A Scientific approach to an ongoing AC/DC debate

We have all been there. And by "there" I mean have been part of the oldest debate in AC/DC history and probably one of the biggest in Rock history in general. Who is better, Bon Scott or Brian Johnson?...

Religion Vs Rock N' Roll

I know, the title couldn't be more kitschy and lame. But here is what the world has come to! I have been avoiding to get into this debate (i.e. the religion, not the Rock N' Roll one) for obvious reasons...

Mind under training (Introduction)

I realised that while I have been writing my extremely influential (!) articles, I still haven’t introduced myself properly...

Showing posts with label AC/DC. Show all posts
Showing posts with label AC/DC. Show all posts

23 January 2016

Lemmy: The Human

I am sure most if not all of you know that Lemmy has passed on and made his way into the eternal rock n' roll kingdom, wherever that is. It's a weird experience for me, that my rock idols are fading one by one. First it was Dio now Lemmy. It's weird because I don't know them. I know they are human, we all have to die some day but I have not met them. I don't know their true selves only what they portrayed in the media. Yet I feel a strange sadness, emptiness. Maybe it's their influence, their genius in what they do, how their music/lyrics influenced me as a person? I don't know them but I know that the world is worse without them.



Someone would say that it's naive to think that musicians can make a difference in the world when considering other great game-changers such as Martin Luther King or Gandhi. But to that I would say that it's naive to think that music cannot change the world in an equal way. See Dylan, Lennon etc. Lemmy had much to say about many things. Regrettably, no one has ever compiled his views into a book. There are hints of it in his autobiography but a Lemmy guidebook for life would be more appropriate.

I don't wish to make this into a Lemmy tribute so instead of writing another meaningless tribute to him I will simply direct you to an earlier more eloquent piece that I had read in The Atlantic titled "Twilight of the Headbangers. How long can the legends of heavy metal keep on rocking?"



I recently wondered what music would be like if the last few remaining legends were to die? Seeing what music is like at present I am dreading the thought of what music will be like in 10-20 years time. Here is an excerpt from the article in The Atlantic that pretty much summarizes what I am saying:

"But when it’s done—and it’s almost done—there will be no more Anguses, no more Lemmys. The bloody-minded, death-demolishing longevity of AC/DC and Motörhead cannot be counterfeited or repeated".

And this is a sad fact.



Most people live and die and are missed only by a handful of people. To have lived, influenced and been missed by thousands of people must be a great privilege. Thankfully Lemmy has left us with a large volume of great music to remember him for. Cheers Lemmy!

22 September 2012

Aging Bodies, Aging Minds, Aging Bands


The inspiration for this piece of writing comes from a brief twitter chat I had with a dear “under-web ally” of mine (i.e. an online yet still underground co-defender of the Rock) @RockCyprus. Chatting about the recent Download 2013 line-up announcements, our conversation went something like this:

@Tzellofouska Rammstein & Maiden in one go? Surely, you don't wanna miss that! 

@RockCyprus It's been Maiden and Metallica from the 1st row in the last 2 years. Hard to beat that I'll have to have a break ;) [plus the prized possession of Kirk Hammett's guitar pick! ;)]

@Tzellofouska Metallica...Second most disappointing live band after Megadeth. And am a keen thrasher; just 20 yrs too late [ 90s vs 00s.... The price to pay for my age!]

@RockCyprus It's a big discussion, but surely Hetfield or Araya can never be 20 and alcoholics ever again ;) :D

And it went on for a few more tweets. Now, just to clarify, my aim is not to get into a discussion about disappointing live shows from [previously great yet still legendary] bands. I will only pose a few of my contemplations in the hope of initiating a healthy exchange of opinions.  

It all started with me seeing Metallica live for the first time. Then it happened again when I saw what Axl calls Guns N’ Roses nowadays. And it all happened for the third time when I saw Megadeth at this year’s Download. What a disappointment it was, I cannot emphasize enough! Performance-, passion-, stage presence-wise, you name it. 

At the time, I used to say to myself and others equally disappointed as me, that you wouldn’t expect these bands to perform to the same level as 20 years ago for example. It is of course a valid point. Or perhaps a good rationalisation of why I spent £60 on a gig that hasn’t changed me in the least. Because, you see, I only appreciate gigs that change my life, even a tiny bit at a time. I shall elaborate... 

Every band or artist has what I call a pre-defined persona. Meaning, they are known for specific elements of their live shows. Take Rammstein, for example, known for their extreme pyro shows complemented by heavy German rumblings [which I love by the way!]; or Iron Maiden with Eddie and an over-enthusiastic Mr. Dickinson; or Motörhead with their deafening decibels and a Lemmy; or even Kiss with their outdated yet oh-so-entertaining outfits; or Black Sabbath with a playful Ozzy and a quiet Iommi that communicates through the riffs. ALL bands have their pre-defined persona; from the time of their conception to today.

Now, when I go to a live show, I expect to see, feel, and experience that persona. I am easily satisfied though. Just having the opportunity to see legendary bands is an excitement on its own, considering most are at the end of the “road”. I surely don’t expect to see the SAME level of energy and passion as I see in videos of their earlier shows. Or should I?

Having been to so many gigs in the past decade alone means that I saw many of these “dinosaur” bands as people call them but not in their prime years. From this experience alone I realised that while there might be an expiration date on creativity for making good albums, passion is meant to stay put. Aging is not an excuse for a bad live for me anymore. 

If you can’t support that pre-defined persona of the band with the same level of passion anymore, just don’t bother touring; because then it shows that you are doing it purely for the cash. I’m sure Alice Cooper will retire once he’s not able to hold that boa on stage anymore. There were a few gigs that made an impact and changed me the way I wanted; Black Sabbath, Heaven & Hell, Anthrax, Motörhead, Judas Priest, AC/DC, Kiss, Rammstein, and even the remaining of The Who! One can see that age is not the point here; some of these guys get a social security check at the end of each month! 

I would love, and I’m sure I’ll have more opportunities, to see Metallica or Megadeth again so that I prove myself wrong. But in the meantime, yawning at a gig, where one of your favourites is performing, is not a very good sign. Either love what you do or quit while you can. Performing is just another job you have to enjoy doing in order to survive in this business. I will repeat: there is no such thing as aging bodies; just aging minds.

You may follow @RockCyprus  on twitter for updates on upcoming shows in Cyprus. Otherwise, just follow him anyway because he's got some great tweets!
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Image Credit:

16 March 2012

Precious Rocks & Rare Heavy Metals: Chapter 1

The first of a series of fun articles aiming to explore the impact that Rock and Heavy Metal artists/bands had on the world and the impact the world had on them. This series will cover a number of artists so all favourites will be presented.

Please note: There is no specific reason (e.g. greatness, preference etc) for the order bands are presented!


AC/DC 

The only band refusing to put their songs to be sold separately on iTunes and yet they have the lowest rates of music piracy. Coincidence? Don’t think so; traditional values is what defined AC/DC in the first place. But not only do they attract millions of fans, the Rock N’ Roll giants have a strange effect on the great white shark as well. According to a tour operator that organises cruises in Australia, after many attempts, he managed to find the secret in attracting the sharks close to the ship. These remarkable mammals are specifically fond of songs like “You shook me all night long” and “If you want blood”. Experts attribute this phenomenon to the sensitivity of the specific species to low sound frequencies, a characteristic of most of AC/DC’s music!

It’s not that this conclusion derived from rigorous research, yet no one can deny AC/DC’s awesomeness, even the animal kingdom. I wonder how the great white would react to Lady Gaga but all I know is that I wouldn’t want to be there when it happens...
Full shark story here.

IRON MAIDEN

Probably the band responsible for not so much as incorporating but establishing the intelligence factor in Heavy Metal. It’s frontman, Dr. Bruce Dickinson a.k.a. “The Air Raid Siren”, is the definition of a renaissance person. His talents range from piloting, fencing, writing, broadcasting, script-writing, acting, marketing, and some more which I am sure he doesn’t care sharing. He has a history degree from Queen Mary, University of London (for those that don’t know already, one of the best in the UK and worldwide) and has recently been awarded an honorary doctorate of music from the same University. The University’s announcement can be found here.

In an ingorant society like ours where people consider Heavy Metal as the caveman’s music, bands like Iron Maiden step in to show us otherwise. It is a fact that lyrics as much as music in Heavy Metal do require a bit of homework if bands are to be taken seriously by fans. In addition, the once-thought uncultured genre, is now followed by more intelligent fans than any other. Although some good research still needs to be done on this subject here is an interesting outline of a study from Warwick University which found that gifted students prefer Heavy Metal.

BLACK SABBATH

Widely famous, not just for being the godfathers of Heavy Metal but for other oddities as well. We all know about their obsession with the occult and have heard a thing or two of Ozzy’s mischief. But the most distinctive characteristic that defined what Black Sabbath came to be during the past decades is Iommi’s re-invention of the “Devil’s chord” or the tritone. The tritone was also evident in Wagner’s compositions and represented evil (i.e. devil, sex, and lust), for which it was banned during the Middle Ages. When asked how he came up with it, Tony said that it simply felt right.

Imagine how differently Heavy Metal would have evolved if Iommi hadn’t “discovered” the specific musical interval. For those of you that do know a bit more about music here is a piece on how to play like Tony. I’d like to see you try!

AEROSMITH

Admittedly, the most remarkable thing about Aerosmith is Steven Tyler’s wide vocal range and technique. Steven featured in National Geographic’s documentary “The Incredible Human Machine”, where you can literally see his vocal chords vibrating at up to 170 times per second during his famous scream falsetto on “Dream On” whilst performing live! Some say he’s falling into the category of a low tenor. You can catch the clip from the documentary here.

There are very few vocalists that have amazing vocal abilities and it’s no surprise that many come from the Rock and Heavy Metal genre. I came across this interesting blog post where a voice teacher with no prior knowledge of them, analyses the vocals of 5 great Heavy Metal singers, amongst them, the great Rob Halford. Although the title is a bit patronising for its purpose, it is still worth a read. Read it here.   


Watch this space for the next chapter of this series.
Chapter 2 can now be found here.
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Image Credits:

18 November 2011

Brian Johnson Vs Bon Scott: A Scientific Approach to an Ongoing AC/DC Debate

We have all been there. And by "there" I mean have been part of the oldest debate in AC/DC history and probably one of the biggest in Rock history in general. Who is better, Bon Scott or Brian Johnson? 

Although record keeping was not common in the 70s (wonder why?), rumour has it that AC/DC is the best selling Rock band in the world with all their albums reaching a minimum(!) of platinum status. Their album Back in Black, which reached an unbelievable double diamond status, sold over 40 million copies, reaching the status of No. 1 best selling Rock album of all time (and No. 2 -sadly- album of all music genres after Jackson's Thriller). No offence to Michael Jackson or its fans but... Boohoooo!



We have all heard arguments pro or against either one of them (Bon or Brian) in terms of singing abilities, performance, stage presence, showmanship, looks, style, energy, suitability to the band's style etc (the list is endless and frankly quite boring). 

A quirky Canadian Professor of Economics decided to take another approach to resolving this argument. He conducted an experimental study drawing together sciences such as Psychology, Physiology, and Sociology with experimental economics. It does sound a bit boring but his approach and results will surprise you.

In his experiment, he used the ultimatum game. I am not getting into details about the procedures but if you wish to learn more about it, I will put the reference at the end. Briefly, participants were randomly allocated into pairs with the roles of proposers or responders. The proposers were given a sum of money and were asked to choose how much of this money they would like to offer to their corresponding responder. The responder then accepts or rejects the offer. Simply put, if they accept, both proposer and responder receive their money. If the responder rejects the offer they both get nothing!

The basis for this is the assumption that people value fairness and don't just put their own wealth first, but also value other people's. And here you will ask: what does that have to do with AC/DC anyway?

In the experiment the pairs where split into two groups with one pair doing the "dealing" while listening to It's a Long Way to the Top sang by Bon Scott while the other pair listened to Shoot to Thrill sang by Brian Johnson assuming that different music types have different physiological and emotional effects on people that may guide decision making.


The findings of this strange if not creative experiment favoured Brian Johnson (sorry Bon Scott fans!). More offers were accepted in the Brian Johnson than the Bon Scott listeners leading to more efficient decision-making. Interesting I would say the least! So there you have it. From an economic perspective Brian Johnson deserves his current position (like we needed scientific support for that!) as the frontman of one of the best Rock N Roll bands.


I think the study is quite interesting, not considering the lack of control for psychological factors, a critique I am not getting into, rather letting you decide as a reader. So which one do YOU "choose"? Personally, I cannot, and refuse to choose between the two frontmen. I will not argue towards their greatness but I will say both were catalysts in the success that AC/DC are today.

For those that already rock, I salute you!
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Article reference: Oxoby, RJ (2009). On the Efficiency of AC/DC: Bon Scott versus Brian Johnson. Economic Inquiry, 47(3), 598-602.
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Image credits:

02 October 2011

Why I Choose Heavy Metal (Why Should You?)

I tried...technically! I can't say that I haven't.

I tried to listen to popular music, when at the age of 9 or 10 (I don't really remember and honestly, I try not to), I found myself collecting photos of boybands (you know, the ones that surprisingly enough have lost their other half and cry their eyes out because they are alone singing on a rainy night? Those ones!). You see, boybands where a hit in the 90s era. The thing is, though, I don't even know a song of theirs if you ask me now (it is a fact that your brain automatically blocks stressful or negative experiences).

People who know me would say that hearing is not the best of my 5 (or maybe 6?) senses. My own little research suggests this is probably attributed to several vain attempts to listen to a whole Britney Spears song instead of several years of Heavy Metal madness.

You see, even then, I kind of felt that pop (where the hell does that term come from anyway?) was not the music that "touched" my heart (probably because it's empty, shallow, and useless) and I realised that quite early in my life - thankfully long before I had my ears exploding from all the crap they had to endure and before all my brain cells had the chance to melt away, while I was trying to discover myself!



My induction to the "Heavy Metal Family" happened when my heart skipped a beat while listening to the combination of Ozzy's vocals and Iommi's musical genius on Electric Funeral. My full conversion took place while listening to AC/DC when I realised I was actually heading for heaven and not hell, as instructed...



Heavy Metal has always been misunderstood by society although it's the most genuine genre out there (not considering the blood-sucking production companies - hey, the world is not that perfect - and the odd band complex with money - yes Lars I am talking about you).


On the contrary, pop music has been reduced to vanity because of:

1. The song lyrics - a 10 yr old would come up with a better line than "umbrella, ella, ella...oh!" or "hit me baby one more time" (honestly shoot the guy that writes this crap, it's an intellectual if not a social crime damn it)
 2. The music - which is completely computerised and basically indistinctive (wait a minute, I thought music = instruments, no? Well, what do I know!)
 3. The voice - better put a cow sing since the performer only needs to move lips and other appropriate body parts
 4. The "artist" - who is made to order (too much make-up, too little clothes, few brain cells and even less synapses)

Music needs to make sense, right? Just an overview of the great musicians and performers of all time indicates that most come from the Rock n' Roll and Heavy Metal music genres (truth is in these genres if you are crap you are ripped to pieces by fans, deservingly so!). Heavy Metal artists appreciate the experience of producing something great and most of the times meaningful (I admit there are some "diamonds" out there too - the glam years produced most of these and so did the 00s).



What I am trying to say is that Heavy Metal with all its oddities (Marilyn Manson, Alice Cooper), its strange/invalid connection to the occult (Black Sabbath, Led Zeppelin), its social stigma (i.e. sex, drugs, & rock n' roll), its weird phenomena (air guitar, headbanging, sign of the horns), its exceptional vocalists (RJ Dio, Rob Halford, Bruce Dickinson, Robert Plant etc), its musical geniuses (Tony Iommi, Keith Richards, Jimmy Page etc), its out-of-this-world lyricists (RJ Dio - yes again!, Lemmy Kilmister etc), its uncounted lawsuits (Twisted Sister, Judas Priest, Manson), its anthems (Stairway to Heaven, Smoke on the Water, Back in Black, Sweet Child of Mine and many more), is undoubtedly the most versatile music genre which remains strong even after 40 years, which still recruits more and more fans, a genre which, when it evolves, it does so in the most creative and amazing way possible.


Allow yourself to go to just one live gig, watch the passion and energy with which each band member delivers and the ecstasy of the crowd, and tell me then if you actually need drugs to get you that high!

Welcome to the Heavy Metal world!

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Image credits:
http://www.metal-army.com/
http://www.black-sabbath.com/
https://www.acdc.com/uk/
http://www.ledzeppelin.com

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