Not Another Music Review!

I hate music reviews. There I said it! I hate the fact that they all read the same. I hate that the reviewer thinks their opinion matters. I hate that they actually think they can do it properly. I even hate that they think they are in a position to do it in the first place!

As I said before, any person, with a functional set of ears (or one), and a good taste in music (anything except pop; I have an issue with that) can actually "review" an album, a band, a song, or a gig. But basing your whole preferences and taste on certain people's judgements and opinions (which can be situational by the way) is, plainly put, ridiculous. Fair enough, there are impressive reviews out there by important people in the music business, who use a combination of fancy and intellectual words to describe the lyricist's subconscious struggle with their inner fears or the guitarist's solo virtuosity or even the bass player's skilful versatility in balancing harmony with rhythm, which can be somewhat "use"-full(?). [We all know that a music review that uses the word "bass" -let alone the bass player's skills- does not really exist!]

So you can imagine the position I was in when I was asked by a friend to review an alternative band. At first I hesitated, because as I mentioned above "Who the hell am I to tell you what is good and bad", right? Plus, I am not into alternative rock that much and I have no reviewing skills as you may have noticed from previous attempts! But then it occurred to me that I have actually been doing it (reviewing that is)...a lot, but in an alternative way! So I thought, why not do an "alternative" review for these guys? Also, the band is actually good. 

Here it is then. It's small, different (or alternative if you prefer), with links so you can see for yourself. I don't currently have a personal relationship of any sort with the band members and I made sure I listened to their album before I even talked to them. So basically, I am not that biased! Also, just to make it perfectly clear, I have no musical education of any kind. Therefore, I base my opinion solemnly on what my two perfect ears feed back to my brain neurons!

The Band
The band is called Waterblack. It originates from Cyprus and the city of Limassol but with strong UK connections as most of the band members were born and/or currently reside in the UK.

From left: Eco, Marcos, Xenios, Chris, & Byron

They formed in 1996 by Andreas Economides a.k.a. Eco and Chris Charalambides who are the only two original founding members in the band today. Eco, much like Dave Grohl (but a bit more "blessed" in the vocal department in my opinion), developed skills in an array of musical instruments starting as the band's drummer and ending up as the lead vocalist and guitar player. Also, he's the main player in regards to writing the lyrics and the songs' structure along with Chris.

Chris is the tech-guy being the band's keyboardist, producer, and sound engineer all together. Kind of like a mixed grill! He is also responsible for the song arrangements and I hear that his live performances are... well, noticeable!

Xenios is the newest addition to the family. Having traveled around the world and acquired a buttload of skills, he soon realised his place as the band's lead guitarist. He does mixing, sound engineering, recording, producing.... to perfection. I am pretty sure he does some other "little" things too! He even built his own Fender Stratocaster (!) and is one of those people who claim to listen to all kinds of music!

Byron is the bass player as well as the "marketing director" of the band. He is well-educated in music composition, so much that he is planning a career out of it by starting a PhD. Although he started off with classic guitar he ended up taking up the bass and refusing to let go!

Last but not least, Marcos, is unlike your typical drummer. He is characterised as a mature, well-behaved, professional, and composed drummer! A breed we need to help sustain! He is also an aspiring genius (considering he's currently doing a PhD in Neurophysics).

The Music
The album which was produced at Soundscape studios is called Orem and consists of 11 songs. The songs are infused with grunge sounds reminding me of the '90s era I grew up to, with the sounds of Pearl Jam, Nirvana, Alice in Chains, and Soundgarden blasting out from the radios. The drumming is sometimes funky, especially in the first song, and gave away the drummer's "jazzy" influences. This compliments the bass guitar which is skilfully prominent at times and pretty impressive. You've got to love their song arrangements! The keyboards remain somewhat ingeniously in the background, yet powerful, filling in the right places and creating a nice ambience while the guitars are simple and clear almost speaking to me explaining the songs in a way the lyrics cannot. The lyrics are very creative and poetic yet remain a mystery to me, but I think they represent their personal experiences and I got a hint of social angst as well! The voice is quite powerful, and "oozes" grunge but without the annoying post-grunge growling/yarling "singing" style (i.e. Nickelback).

Conclusion
I could characterise their sound as "alternatively grunge" served in a bed of funk, in a sauce consisting of Soundgarden and Pearl Jam, with a hint of Nirvana, a sprinkle of Red Hot Chilli Peppers, some U2 flavourings, and complimented with a good old Greek Rock!

Songs I really enjoyed listening to multiple times are "M", "Burdened Youth", and the darker "Living in the Ruins". But all the above don't really matter. What matters is your own opinion which will only be formed by listening. Here are some links to get you started:

Website where you may find more information about the band and their music, including the list of awards they received.
Facebook page where you may listen to their album for free and try to decode their lyrics.
YouTube channel where you may see some of their previous live performances and some unreleased songs.

I must point out and say I don't listen to grunge that much and I don't know much about it either. Hence, the lack in usage of fancy words and technical critique. All I know is that I liked their music and can't wait to see them live so that I form a well-rounded opinion. I'm just glad to know that original music from talented people is still being produced back home!

Hmmm.... I think I'm getting good at this alternative reviewing thing! So, what are your thoughts on the featured band then?
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Image credits:
http://www.innovatrs.com/

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100 Riffs (A Brief History of Rock N' Roll)

This is a video I came across recently. Alex Chadwick, of the Chicago Music Exchange, plays 100 riffs that defined Rock history, using a 1958 Fender Stratocaster. In just 12 minutes he covers the riffs in chronological order giving a pretty good (yet not perfect) summation of what it is Rock n' Roll. Here is the list with the songs he covered:

1 Mr. Sandman – Chet Atkins
2 Folsom Prison Blues – Johnny Cash
3 Words of Love – Buddy Holly
4 Johnny B Goode – Chuck Berry
5 Rumble – Link Wray
6 Summertime Blues – Eddie Cochran
7 Pipeline – The Chantays
8 Misirlou – Dick Dale
9 Wipeout – Surfaris
10 Daytripper – The Beatles
11 Can’t Explain – The Who
12 Satisfaction – The Rolling Stones
13 Purple Haze – Jimi Hendrix
14 Black Magic Woman – Santana
15 Helter Skelter – The Beatles
16 Oh Well – Fleetwood Mac
17 Crossroads – Cream
18 Communication Breakdown – Led Zeppelin
19 Paranoid – Black Sabbath
20 Fortunate Sun – Creedence Clearwater Revival
21 Funk 49 – James Gang
22 Immigrant Song – Led Zeppelin
23 Bitch – Rolling Stones
24 Layla – Derek and the Dominos
25 School’s Out – Alice Cooper
26 Smoke on the Water – Deep Purple
27 Money – Pink Floyd
28 Jessica – Allman Brothers
29 La Grange – ZZ Top
30 20th Century Boy – T. Rex
31 Scarlet Begonias – Grateful Dead
32 Sweet Home Alabama – Lynyrd Skynyrd
33 Walk This Way – Aerosmith
34 Bohemian Rhapsody – Queen
35 Stranglehold – Ted Nugent
36 Boys Are Back in Town – Thin Lizzy
37 Don’t Fear the Reaper – Blue Oyster Cult
38 Carry on My Wayward Son – Kansas
39 Blitzkreig Bop – The Ramones
40 Barracuda – Heart
41 Runnin’ with the Devil – Van Halen
42 Sultans of Swing – Dire Straits
43 Message in a Bottle – The Police
44 Hey Hey, My My (Into the Black) – Neil Young
45 Back in Black – AC/DC
46 Crazy Train – Ozzy Osbourne
47 Spirit of Radio – Rush
48 Pride and Joy – Stevie Ray Vaughan
49 Owner of a Lonely Heart – Yes
50 Holy Diver – Dio
51 Beat It – Michael Jackson
52 Hot For Teacher – Van Halen
53 What Difference Does It Make – The Smiths
54 Glory Days – Bruce Springsteen
55 Money For Nothing – Dire Straits
56 You Give Love a Bad Name – Bon Jovi
57 The One I Love – REM
58 Where the Streets Have No Name – U2
59 Welcome to the Jungle – Guns N’ Roses
60 Sweet Child ‘O Mine – Guns N’ Roses
61 Girls, Girls, Girls – Motley Crue
62 Cult of Personality -Living Colour
63 Kickstart My Heart – Motley Crue
64 Running Down a Dream – Tom Petty
65 Pictures of Matchstick Men – Camper Van Beethoven
66 Thunderstruck – AC/DC
67 Twice as Hard – Black Crowes
68 Cliffs of Dover – Eric Johnson
69 Enter Sandman – Metallica
70 Man in the Box – Alice in Chains
71 Smells Like Teen Spirit – Nirvana
72 Give it Away – Red Hot Chili Peppers
73 Even Flow – Pearl Jam
74 Outshined – Soundgarden
75 Killing in the Name – Rage Against the Machine
76 Sex Type Thing – Stone Temple Pilots
77 Are You Gonna Go My Way – Lenny Kravitz
78 Welcome to Paradise – Green Day
79 Possum Kingdom – Toadies
80 Say it Ain’t So – Weezer
81 Zero – Smashing Pumpkins
82 Monkey Wrench – Foo Fighters
83 Sex and Candy – Marcy Playground
84 Smooth – Santana
85 Scar Tissue – Red Hot Chili Peppers
86 Short Skirt, Long Jacket – Cake
87 Turn a Square – The Shins
88 Seven Nation Army – White Stripes
89 Hysteria – Muse
90 I Believe in a Thing Called Love – The Darkness
91 Blood and Thunder – Mastodon
92 Are You Gonna Be My Girl – Jet
93 Reptilia – The Strokes
94 Take Me Out – Franz Ferdinand
95 Float On – Modest Mouse
96 Blue Orchid – White Stripes
97 Boulevard of Broken Dreams – Green Day
98 Steady As She Goes – The Raconteurs
99 I Got Mine – Black Keys
100 Cruel – St. Vincent

So, do you think that he covered all the defining ones, or did he leave some diamonds behind?

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Image credit:

http://vimeo.com

  

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Gigs, Cameras, and Weird Smells

Filming at gigs. I know, I know... Annoying, right? And probably illegal!

Some will argue that taking pictures and video-recording at gigs and festivals are the definition of "uncoolness".

Hey asshole you are blocking my view

You are standing there in the crowd, at a hotspot you guarded for two hours in advance, waiting for the curtain to fall. Everybody around you becomes restless as the allowed 15 minute window of opportunity for bands to show up before everybody starts to swear (obviously not applicable to Guns N' Roses), is coming to an end. Then it happens. Just seconds before the opening drum beat, the clicking noises and the blinding flashes, torture to your senses. Hands are in the air in various arrangements, some forming fists, the sign of the horns, and others clicking away relentlessly. Point is, you cannot see beyond hands holding cameras, so you may as well count on your sense of hearing (whatever's left from it!).

The a-live experience

Between the smell of sweat (especially if good old nature and genetics have not been kind to you and you are lucky enough to be of, what I call, "armpit-level height"), blood, and the odd fart, the experience of being part of such a large mass and the live on-stage performance can be a natural high - without the drugs. You ought to enjoy what you see and hear because lets face it, you probably paid a respectable amount of money to be there.

Talent unfolding

Guitar solos, unbelievable drumming, out of this world vocals, outrageous outfits, pyros, laser lights, moving stages.... I could go on for a while here. Most acts sing and play their hearts out for our, the fans', own pleasure (and money of course). Naturally, clapping  and cheering should not be replaced by clicking.

Despite all the above, not all have the money to buy all the brilliantly filmed yet significantly over-priced DVDs companies produce. I am, personally, not satisfied by just living the experience and from time to time I like to watch my well-organised collection of videos. Who wouldn't want to have a personally-filmed video collection of the late legend RJ Dio? [sigh] And lets face it. Most of the legends we now see live on stage (be it the "last" tour or reunion) will either be to old to rock or dead by the time my biological clock ticks! I want my children to have something from my "era" which signifies the hand over of the "Metal flag" from the godfathers and godmothers of Rock N' Roll to the newbies. 

Weeeeell, you've probably realised that I am one of those annoying people you see at gigs filming their hearts out! Before you start sending hate-mail though, I ought to say; I have been to many gigs in the past where I have not filmed nor photographed a single movement coming from the stage area. I have been part of wild masses (thanks to the Greeks!) where I was knocked to the ground by over-enthusiastic fans, and had my fair share of "wholesome" gig experiences. 

During my 10 or more years of experiences like these, I managed to develop a set of internal rules (i.e. never actually put in a list until now) for practising two interests at the same time, photography/filming and gig-going with minimal intrusion and maximum enjoyment! Here it is:

1. Choose your spot

As I wouldn't want to be the one sworn at for blocking the view and due to my limitations in the height domain I usually choose seating at gigs. Therefore, I can just rest the camera on my knees and film away freely without loosing the feeling in my hands and subsequently skipping the trendiness of what it has recently become the listening to Heavy Metal, meaning "a youth gone wild", with their ridiculous yelling and screaming.  

2. Know what to record

I would not recommend filming the whole gig as it is tiring and you end up loosing the meaning of the whole thing. The key is to film your favourite songs and skip the mainstream ones, unless only those ones are indeed your favourites in which case you are probably part of the "youth gone wild" described above.

3. Delegate where appropriate

A technique that works wonders is to delegate the responsibility of the filming to your partner or a friend who are not particularly into this kind of music but go along with you as a favour! Then you are free to go as wild as you want or can. [Special thanks to my special person are in order here]

4. Do it properly

If you are going to film, do it properly. That means buying a good camera, managing to hide it successfully through the security checks, and recording good quality videos. Nobody wants to watch  a shaky amateur video on YouTube! You will experience the odd Parkinson's-like shake, bums of people walking in front of you etc but at least the picture and sound should be clear. And lets not forget: record whole songs not just intros or choruses!

5. Do it for fun

If you are doing it to just show off to your friends, you are a dumb-ass! [Sorry, but you are] Do it because you enjoy it or if you are emotionally tied to collecting souvenirs of your experiences.

In this era of digital revolution, filming at gigs cannot be avoided or even banished altogether despite various attempts by promoters. If you are like me and you still want to do it, learn to respect the others around you. And don't forget, a gig or a festival is a collective experience, so don't immerse yourself in your filming otherwise you will indeed loose the whole point, be it smelly armpits, beer showers, screams to the point of hear-loss, pushing, grabbing and all the good stuff that come with it! That is  the point anyway.

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Image credits:

http://www.metalsucks.net/

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The Evil Top Lists

Let's face it. We have all succumbed to the simplicity and the doubtful usefulness of top-like lists at some point. These are usually numbered ideas of what it is considered top in a specific area of interest or disinterest. They come in different forms and derive from the use of various creative thinking (in)abilities.

I always find myself googling to find out the "best" or "top" choices and ideas for me. From trip destinations, gift ideas, new music directions to life-changing advice. But I can't stop thinking of the evilness of these simple writings. For starters, they are completely subjective to one person's or "expert" committee's opinion.

The worst kind of top-like lists falling under this critique are the ones rating musical greatness, be it instrumental, lyrical, or performance. I apologise for thinking that anyone who has ears and intact perceptual processes can be a critic of music. Okay, fair enough, there are people who need the additional push of having a higher IQ, especially if they are drawn to pop music (don't want to be repetitive but pop music requires none of the above). Furthermore, since when is talent measurable and reducible to lists? It certainly shows, but on the other hand what defines Jimi Hendrix's guitar playing greater than Jimmy Page's as to be placed on the top of all "best guitar players" lists? Is it perhaps his revolutionary approach to guitar playing? Or maybe his musical impact? Who knows?

My second critique to top-like lists is their restrictive nature. They push you into thinking "What if I don't like that? What if I have other preferences? Am I uncool or not expert enough? Or maybe I'm missing something here". I know I thought I missed something when I followed many top destination lists' advice and went to Lisbon. I'm sorry, but comparatively, Lisbon is no top and no destination for that matter (no offence, I still love the Portuguese).

Another evil side of top-like lists is the way they lure you into not thinking and not trying to figure solutions youself. For example, let's take the pretentious how to lists, especially the ones dealing with life changes. "How to become happier in 5 simple steps" or the more sought after "10 rules to loosing your belly fat". Give me a break! Happiness is not a five step plan and the belly fat will probably not go away by ruling out. Unless you are advanced enough to find a way to put a lock on your mouth, or modify your genes.

And for the irony of it I made my own lists of top-like lists and categorised them by usefulness.

Top 5 useful top-like lists:
1. 10 simple rules to being a human being
Because the truth is some of us do need some guidance in that area
2. 25 successful tips to tax evasion plus 5 bonus tips on cheating death 
Because you can't avoid either according to somebody who had too much free time that enabled them to come up with it
3. Top 5 ways of cooking potatoes
Because they are awesome
4. 50 hints that your life sucks
Because you can never be certain enough
5. Top 10 evolutionary advances you should already possess
Because you should

Top 5 useless top-like lists:
1. 5 techniques to impress a woman
Because they won't work
2. Top 100 pop songs of all time
Because they don't exist
3. 10 strategies to spice-up your sex life
Because you'll probably end up divorced or in hospital
4. 7 steps to a happier life
Because happiness is subjective and doesn't happen in steps
5. 15 ways to look cool
Because if you haven't got it, drop it

My point is, you live, you fail, and you learn. You don't need ready-made guides on music taste, happiness, dating, or whatever other "bestness" is served out there by people who have nothing better to do. If you cannot avoid it though, browse and enjoy the diverse evilness of different lists created by intelligent aliens seeking to take over the world.
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Image credits:
http://www.searchamelia.com
http://theplanetd.com

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