Why I choose Heavy Metal (why should you?)

I tried...technically! I can't say that I haven't. I tried to listen to popular music, when at the age of 9 or 10 (I don't really remember....

Ozzy: Rock Legend or Just a (Old) Man?

I have just watched the documentary "God Bless Ozzy Osbourne" which was apparently directed by his son Jack Osbourne. It has been characterised from monumental to insightful and generally received...

Brian Johnson Vs Bon Scott: A Scientific approach to an ongoing AC/DC debate

We have all been there. And by "there" I mean have been part of the oldest debate in AC/DC history and probably one of the biggest in Rock history in general. Who is better, Bon Scott or Brian Johnson?...

Religion Vs Rock N' Roll

I know, the title couldn't be more kitschy and lame. But here is what the world has come to! I have been avoiding to get into this debate (i.e. the religion, not the Rock N' Roll one) for obvious reasons...

Mind under training (Introduction)

I realised that while I have been writing my extremely influential (!) articles, I still haven’t introduced myself properly...

02 July 2012

100 Riffs (A Brief History of Rock N' Roll)



This is a video I came across recently. Alex Chadwick, of the Chicago Music Exchange, plays 100 riffs that defined Rock history, using a 1958 Fender Stratocaster. In just 12 minutes he covers the riffs in chronological order giving a pretty good (yet not perfect) summation of what it is Rock n' Roll. Here is the list with the songs he covered:

1 Mr. Sandman – Chet Atkins
2 Folsom Prison Blues – Johnny Cash
3 Words of Love – Buddy Holly
4 Johnny B Goode – Chuck Berry
5 Rumble – Link Wray
6 Summertime Blues – Eddie Cochran
7 Pipeline – The Chantays
8 Misirlou – Dick Dale
9 Wipeout – Surfaris
10 Daytripper – The Beatles
11 Can’t Explain – The Who
12 Satisfaction – The Rolling Stones
13 Purple Haze – Jimi Hendrix
14 Black Magic Woman – Santana
15 Helter Skelter – The Beatles
16 Oh Well – Fleetwood Mac
17 Crossroads – Cream
18 Communication Breakdown – Led Zeppelin
19 Paranoid – Black Sabbath
20 Fortunate Sun – Creedence Clearwater Revival
21 Funk 49 – James Gang
22 Immigrant Song – Led Zeppelin
23 Bitch – Rolling Stones
24 Layla – Derek and the Dominos
25 School’s Out – Alice Cooper
26 Smoke on the Water – Deep Purple
27 Money – Pink Floyd
28 Jessica – Allman Brothers
29 La Grange – ZZ Top
30 20th Century Boy – T. Rex
31 Scarlet Begonias – Grateful Dead
32 Sweet Home Alabama – Lynyrd Skynyrd
33 Walk This Way – Aerosmith
34 Bohemian Rhapsody – Queen
35 Stranglehold – Ted Nugent
36 Boys Are Back in Town – Thin Lizzy
37 Don’t Fear the Reaper – Blue Oyster Cult
38 Carry on My Wayward Son – Kansas
39 Blitzkreig Bop – The Ramones
40 Barracuda – Heart
41 Runnin’ with the Devil – Van Halen
42 Sultans of Swing – Dire Straits
43 Message in a Bottle – The Police
44 Hey Hey, My My (Into the Black) – Neil Young
45 Back in Black – AC/DC
46 Crazy Train – Ozzy Osbourne
47 Spirit of Radio – Rush
48 Pride and Joy – Stevie Ray Vaughan
49 Owner of a Lonely Heart – Yes
50 Holy Diver – Dio
51 Beat It – Michael Jackson
52 Hot For Teacher – Van Halen
53 What Difference Does It Make – The Smiths
54 Glory Days – Bruce Springsteen
55 Money For Nothing – Dire Straits
56 You Give Love a Bad Name – Bon Jovi
57 The One I Love – REM
58 Where the Streets Have No Name – U2
59 Welcome to the Jungle – Guns N’ Roses
60 Sweet Child ‘O Mine – Guns N’ Roses
61 Girls, Girls, Girls – Motley Crue
62 Cult of Personality -Living Colour
63 Kickstart My Heart – Motley Crue
64 Running Down a Dream – Tom Petty
65 Pictures of Matchstick Men – Camper Van Beethoven
66 Thunderstruck – AC/DC
67 Twice as Hard – Black Crowes
68 Cliffs of Dover – Eric Johnson
69 Enter Sandman – Metallica
70 Man in the Box – Alice in Chains
71 Smells Like Teen Spirit – Nirvana
72 Give it Away – Red Hot Chili Peppers
73 Even Flow – Pearl Jam
74 Outshined – Soundgarden
75 Killing in the Name – Rage Against the Machine
76 Sex Type Thing – Stone Temple Pilots
77 Are You Gonna Go My Way – Lenny Kravitz
78 Welcome to Paradise – Green Day
79 Possum Kingdom – Toadies
80 Say it Ain’t So – Weezer
81 Zero – Smashing Pumpkins
82 Monkey Wrench – Foo Fighters
83 Sex and Candy – Marcy Playground
84 Smooth – Santana
85 Scar Tissue – Red Hot Chili Peppers
86 Short Skirt, Long Jacket – Cake
87 Turn a Square – The Shins
88 Seven Nation Army – White Stripes
89 Hysteria – Muse
90 I Believe in a Thing Called Love – The Darkness
91 Blood and Thunder – Mastodon
92 Are You Gonna Be My Girl – Jet
93 Reptilia – The Strokes
94 Take Me Out – Franz Ferdinand
95 Float On – Modest Mouse
96 Blue Orchid – White Stripes
97 Boulevard of Broken Dreams – Green Day
98 Steady As She Goes – The Raconteurs
99 I Got Mine – Black Keys
100 Cruel – St. Vincent
So, do you think that he covered all the defining ones, or did he leave some diamonds behind?

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Image credit:
  

25 June 2012

I Bet My Life!

by guest author Savallas

[Scroll down the page for the English version and author bio]








Υπάρχουν πολλοί τρόποι με τους οποίους ένα άτομο μπορεί να χάσει λεφτά, αλλά υπάρχει ένας μόνο τρόπος να μην το ξανακάνει. 

Εδώ και χρόνια στον τόπο μας, στην Κύπρο, λέμε, ξαναλέμε, αποφασίζουμε μετανιώνουμε το ξανασκεφτόμαστε αλλά τίποτα...
Να κάνουμε καζίνα τελικά ή όχι; 

Ένας τζογαδόρος σίγουρα δεν θα καταστραφεί από ένα καζίνο αφού είναι στο αίμα του να ποντάρει, να προκαλεί τον άλλο και γενικά του αρέσει να περπατά πάνω σε αυτή την πολύ λεπτή κλωστή που χωρίζει την νίκη απο την ήττα, την επιτυχία από την αποτυχία. Να κάνει σκέψεις ότι θα διπλασιάσει σε λίγο τα λεφτά του ή θα έρθει η απόλυτη καταστροφή του μέσα σε λίγα μόλις δευτερόλεπτα. Βλέπεις, ο τζόγος δεν είναι κάτι που μπορείς να το σταματήσεις απο την μία μέρα στην άλλη. Είναι αρρώστια.

Ένας τζογαδόρος θα σε πάει στοίχημα με λεφτά για το αν καταφέρεις να τρέξεις τα 10 μέτρα σε 2 δευτερόλεπτα, θα σε πάει στοίχημα στο τάβλι, θα σε πάει στοίχημα στα ζάρια, στο φαγητό, στο ποτό, στη διασκέδαση. Δεν έχει σημασία το ποσό, αλλά η όλη διαδικασία. Με λίγα λόγια, ο τζόγος είναι μέρος της ζωής μας, της καθημερινότητάς μας, είτε μας αρέσει είτε όχι. Ο τζογαδόρος σίγουρα δεν θα περιμένει να του κτίσεις καζίνο για να ξοδέψει τα λεφτά του, δεν σε έχει ανάγκη. 

Στην Κύπρο όμως, ο πρόεδρός μας, δεν θέλει να το κάνει γιατί λέει οτι θα καταστραφούν οικογένειες, θα κλείσουν σπίτια και ο τόπος μας θα καταντήσει Λας Βέγκας λόγω του υπόκοσμου. Λαμβάνοντας υπόψην μας την ανεργία, την απελπισία και τη γενικότερη κατάσταση του τουρισμού μας που βρίσκεται στον αναπνευστήρα, δεν ακούγεται και τόσο άσχημο. Επίσης, να υποθέσουμε ότι ο υπόκοσμος τώρα, δεν έχει δράση στην Κύπρο, αφού είναι όλοι νοματαγείς πολίτες και γενικά ζούμε μέσα σε μία κοινωνία όπου βασιλεύει το δίκαιο και ο νόμος. 

Εν τω μεταξύ στα καζίνα πέραν του νοητικού πλέον συρματοπλέγματος, παίκτηκαν ήδη ολόκληρες περιουσίες, χάθηκαν τόσα εκατομμύρια. Είδατε εσείς πουθενά την καταστροφή; Φυσικά και όχι, αφού είναι καθαρά επιλογή του καθενός το τι θα κάνει με τα λεφτά του και πώς θα επιλέξει ο ίδιος να τα ξοδέψει. O μοναδικός χαμένος από την όλη υπόθεση λοιπόν δεν είναι ο τζογαδόρος, αλλά το κράτος. 

Πέραν των κοινωνικών επιπτώσεων, που έτσι κι αλλιώς στην παρούσα κατάσταση τα κοινωνικά θέματα δεν φένεται να ενδιαφέρουν τους αρμόδιους, το κράτος ενώ θα μπορούσε να βγάζει πάρα πολλά εκατομμύρια (300.000.000 και μόνο από τις άδειες κάθε χρόνο) δεν κάνει τίποτα γι’ αυτό. Εξού και η οδήγηση μας στον μηχανισμό υποστήριξης ή σε δάνεια από άλλα κράτη. 

Η δημιουργία καζίνου, θα έβλαπτε σοβαρά και τον υπόκοσμο, θα ήταν ένα κτύπημα κάτω από την μέση αφού έτσι, ο κυρίαρχος στην πράσινη τσόχα θα είναι το κράτος και με μία μπάγκα αρκετά μεγάλη ώστε να κτυπά τα ρέστα του όποτε θέλει και με το αζημίωτο. Δεν θα είχαμε γκαστερικές επιθέσεις όπως την ψεσινή και σίγουρα δεν θα είχαμε και τόσα θύματα.
Ο Κύπριος, συγκαταλέγεται ανάμεσα στους τρεις μεγαλύτερους τζογαδόρους στον κόσμο. Τα σκύπτρα τα κρατάνε οι Κινέζοι. 


Ο τζόγος αυτή την στιγμή βασιλεύει στον αθλητισμό αλλά δεν είδαμε καμία αντίδραση, έχουν φτάσει στο σημείο να θεωρούν άθλημα τον... ιππόδρομο και τα εκατομμύρια που παίζουν κάθε φορά, την ώρα που όλοι ξέρουν ότι είναι όλα στημένα.

Τζογαδόροι είμαστε όλοι στο κάτω κάτω, απλά μερικοί ξέρουν πότε πρέπει να σταματήσουν (ο σωστός τζογαδόρος) και άλλοι όχι (ο πάντα χαμένος τζογαδόρος) και αυτό είναι που κάνει τον τζόγο να παίζει τόσο σημαντικό ρόλο στην ζωής μας.

Όπως είπαμε και στην αρχή, τρόποι υπάρχουν πολλοί για να χάσει κάποιος λεφτά, υπάρχει όμως μόνο ενας για να σταματήσει να το κάνει και αυτός είναι όταν θα χάσει την ζωή του.
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There are many ways with which a person can lose money, but there is just one way for them not to do it again.

For years now, here in our country, Cyprus, we argue, we take decisions, we regret, and change our minds but nothing happens...

Should we finally give licenses for casinos? Or not?

Surely gamblers won’t be ruined by one casino since gambling is in their blood, challenging others and generally walking on that thin line between winning and losing, between success and failure. Thinking whether they will soon double their money or be completely wiped out in a matter of seconds. You see, gambling is not something you can stop from one day to the next. It’s a disease.

Gamblers will bet you on whether you are able to run 10m in 2 seconds, they will bet you on a game of backgammon or dice, they will bet you on food, drinking, or simply on having fun. And it’s not about the amount, it’s the whole process. In other words, gambling is part of our everyday lives whether we like it or not. A gambler is not waiting for a casino to waste their money, they’ve got their ways.

In Cyprus though, our president refuses to give the licenses for casinos because, as he claims, families will be wrecked, households will be ruined, and our country will become something like Las Vegas because of the underworld. Considering the unemployment, the desperation, and the general condition of our tourism which is suffering, it doesn’t sound that bad. And let’s also assume for a moment that the underworld is not active presently, and that all citizens in Cyprus are law abiding and we generally live in a society where law and fairness reign!

In the meantime, in the casinos beyond the now mental barricade that divides our country, whole properties have been placed as a bet and millions were lost. Have you seen any destruction? Of course not, since spending their money is each person’s choice. The only loser in all this is not the gambler but the government.

Despite the social consequences, which are not a high priority for the relevant competent authorities anyway, the government could make many millions out of it (300million just from the licenses each year only), but chooses not to. Hence, Cyprus is very close to seeking financial support and loans from other countries.

The establishment of casinos would hit the underworld as well. It would be an “under the belt” move since it would mean that the government is now dominant in the gambling game with a respectful money pot. We wouldn’t have gangster-like attacks like the recent one and we surely wouldn’t have so many victims.

Cypriots are amongst the three biggest gamblers in the world with the Chinese leading the way at the moment.

Gambling at the moment is dominant in sports. But we have yet to experience an objection to that. It reached the point where horse racing, and the millions they bet, is considered a sport while consciously knowing everything is a set up.

At the end of the day, we are all gamblers. It’s just that some know when they need to stop (the right gambler) and others don’t (the losing gambler) and this is what makes gambling so important in our lives.

As I said at the beginning, there are many ways with which a person can lose money but there is just one way for them to stop... losing their life.
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Savallas is a 30 something anti-hero who enjoys complaining about the world we live in. He claims AC/DC and Slayer are the best and apparently they are. At the moment he spends his time fighting unfairness in a small Cypriot town, kind of like a Cypriot Batman. You cannot follow his views anywhere because you have to pay for them.
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Image credits:

20 June 2012

Review of Download Festival 2012

A review of the happenings at Download Festival 2012, Donington Park, UK

ANTHRAX

Our day started with Anthrax playing a half hour show. Since it was the ¼ of the Big 4 for which I had the lesser knowledge about and also the first time I was seeing them live, I was really focused and very open to liking them. I needn’t be though. They were simply powerful. Within those 30 minutes they had us jumping up and down, commanded the crowd to form a well-rounded mosh pit, and entertained us all the way. I was especially happy when I finally heard “Indians” which was stuck in my mind for 2 months. Belladonna did his usual with security guards rushing to “save” a female colleague from his hands when he tried to shake her to the song rhythm! They also forcefully kept him from crowd surfing. Download had officially kicked off for me. I give them a 9/10 purely because it was a 30 min appearance.


BLACK LABEL SOCIETY

This was the only band I somehow wanted to see but didn't know much about them. I wasn’t expecting to be amazed nor was I particularly looking forward to see them- I was curious really. But they were good. Not being familiar with their work didn’t help much. I wasn't enthused but one thing really surprised me: how huge and what a great guitarist Zakk Wylde is. I also learned that his custom-made guitar weighs like a ton and only he can lift it! No wonders there. Unfortunately though, they didn’t make much impact on me and I was left being none the wiser about them. 6/10


LAMB OF GOD

Next, on the stage came these guys. Now, I have seen them live one more time when they opened for Heaven & Hell a few years ago. I was disappointed back then and I was disappointed this time too. The reason is simple; I just don’t fancy not being able to understand the song lyrics. Now I’m not saying they should attend a spelling bee class but seriously screaming to the crowd “sing it” and not actually singing it themselves is not much help especially to new fans! To be fair though I was biased towards not enjoying them but here is the thing. They were actually quite good, musically speaking. Their live music was arousing and many times I found myself tapping my leg and moving to the rhythm. On a different note, I seriously need to get Blythe’s vocal instructor’s number! 6.5/10


MEGADETH

One of the word composites of the above was true: DETH. I did not experience MEGA in any way. Ok, perhaps Mustaine’s hair! But honestly, I was so excited that I was going to see the Megadeth live that I think I raised my expectations way too high. For starters, I think they were brain-dead during this live. They were barely moving or even entertaining in any way. At some point we thought maybe Mustaine had to leave early for the church mass? Or perhaps his pony was missing him much? The only thing that entertained us briefly was Vic Rattlehead wandering through the stage. Anyway, I was left unimpressed and disappointed in so many ways. On the other hand, again musically speaking, I liked them a lot. I enjoyed the classics like “Peace Sells” and “Symphony of Destruction” and all in all I am glad I saw them live. Not so glad about the white shirt though. So not metal! 5/10 


FIREWIND

This was the point where grunge took over the main stage (seriously Soundgarden?) and I moved on to the smaller stages to see some other favourites. I managed to watch Firewind for a while and I can tell without a doubt that they sound even better live. Gus G did his thing as always with those magic fingers of his. On the other hand, Apollo’s vocals were astonishing. Although appearing in one of the smallest stages, it was packed and people were very enthusiastic about them. The sound was not fair to the bands but the good ones got noticed anyway. Firewind make the Greek metal scene proud for sure. 7.5/10

GHOST

I insisted on standing still for 40 minutes waiting for these guys to show up.  I don’t know what it is about Ghost, but I was hooked when I first heard them by accident on YouTube. What is their deal? What is their music about? What are they? Appearing on stage dressed up like Ku Klux Klan members with their frontman, Papa Emeritus, dressed like a catholic priest with a skull where his face should be and holding a censer blessing the crowd did not solve any of my questions. Especially when their lyrics are filled with satanic elements! Whatever they represent be it humour, irony, or simply fun, their performance was great. I mean, the vocals were magnificent. I thought I was carried by angels (or maybe demons?) into the skies on a soft cloud ! The keyboards compliment their songs so well; I don’t think I have heard anything like this before. But then again I am not into Doom that much (apparently this is their categorisation). I loved them and can’t wait to hear their second album. 8.5/10


BLACK SABBATH

And on to the legends! By this time I was so exhausted that I couldn’t wait to go to sleep. I even wondered whether seeing THE Black Sabbath live is worth all this trouble. I have already seen them once with Dio so I thought to myself: “Is Ozzy really going to hit the notes and amaze me as much as Dio did? Is Tony going to be performing at his best? Is it really Black Sabbath I am seeing without Bill?” Then the first chord struck me. They started with “Black Sabbath” which couldn’t have worked better for the explosion that was about to follow. I then forgot all about my tiredness, all the urine, shit, food waste, or anything else I might have stepped or sat on without realising, and l lended my soul to the godfathers. It was phenomenal. For many reasons. Ozzy did hit the notes despite my otherwise expectations. He ran on the stage like a 4-year old, clapped his hands, and said fuck a lot. Only he can sing metal and successfully have the crowd move rhythmically left/right instead of forming a mosh pit! And only he can get angry when he “doesn't see our fucking hands in the air” anymore. Tony was looking like the true iron man and his guitar virtuosity was unaffected. This guy is so stoic I was really surprised when the camera caught him looking at the crowd and smiling at various times during the gig. Geezer shined again as the master of the bass and he did look happy to be sharing the stage with all of them. Clufetos was hitting the drums so hard I’m sure I felt the pain too. He was unbelievable. With 150,000 people and 300,000 set of eyes all watching them I think they felt what I did; that they belong together on a stage. Not Ozzy alone, not as Heaven & Hell, but as Black Sabbath. They had great chemistry and I don’t care where it came from be it money or respect for one another. And despite the fact that only ¾ where performing, based on that performance alone, I can be honest when I say I saw Black Sabbath. 10/10


THINGS I LEARNED/REALISED AT DOWNLOAD FESTIVAL 2012:

  1. Anthrax is the best out of the 3 of the “Big 4” thrash metal bands I saw live.
  2. Zakk Wylde is huge and looks like a good guy to have drinks with at a strip club filled with Hell's Angels.
  3. Lamb of God have great music but the sound of Blythe’s screaming and growling voice makes me yawn repeatedly.
  4. Mustaine does not look good in a white shirt and his hair has more volume than his voice.
  5. Firewind sound even better live and I think I am in love with Gus G.
  6. Ghost is perhaps the next big thing in metal; even Anselmo said so.
  7. I pity the fool that will not get the chance to experience Black Sabbath live in front of a 150,000 crowd.

Limited videos can be found here.


03 June 2012

Precious Rocks & Rare Heavy Metals: Chapter 3

The third of a series of fun articles aiming to explore the impact that Rock and Heavy Metal artists/bands had on the world and the impact the world had on them. This series will cover a number of artists so all favourites are presented. Read the first and second chapters here and here.

Please note: There is no specific reason (e.g. greatness, preference etc) for the order bands are presented!

ALICE COOPER

There is no question that Alice Cooper himself is well respected and considered as a great example of a rock star. He is pretty much the leader of Shock Rock as people call it. His stage presence and theatrics had people talking for generations. But behind that creepy façade of his you may find a “born-again Christian”, a humanitarian, and an esteemed friend. He has become very talkative about his religious beliefs and has set up his own non-profit organisation called “Solid Rock” aiming to help teenagers in many aspects of their lives. Alice Cooper has recently received an honorary doctorate too and gave a strange speech. Full story here. 

Now, out of respect to his outstanding musical contribution and long career and due my own admiration of him as a human being and artist I will have to pass and try not judge Mr. Cooper about his recent religious enthusiasm. He is 64 after all and closer to the “light”. But there are some signs of (possible) dementia and I'm raising a red flag here. I’m no doctor but any sort of admiration towards the thing called Lady Gaga must surely mean that some neurological deficiency is present. He IS 64 after all. Full story and proof I’m not crazy here. On a lighter note, you can catch Alice in the new movie by Tim Burton alongside Johnny Depp. Now that I wanna see! 

RAGE AGAINST THE MACHINE

Rage Against The Machine (RATM) are mostly known for their political and social activism. Their music and lyrics represent this and it’s no wonder considering that guitarist Tom Morello is a social studies graduate from Harvard University. There is no protest or march that Morello and de La Rocha are not part of. There is an interesting paper on radical criminology with an extensive analysis of RATM lyrics which I found very interesting (link here). Some less known “services” to the world include Morello’s stripper career! Full story here. 

If I was forced to listen to Nu Metal I would choose to only listen to RATM. The fact is I do and I like it. The combination of funk, metal, and a bit of rapping with that guitar sound and those lyrics is just remarkable. I cannot imagine a more cathartic and aggressive song than "Killing in the Name". Ok, maybe "Angel of Death" by Slayer but not for soul-catharsis reasons! Anyway, my point is, being an idealist myself, I find it comforting that there are people out there who (still) believe in ideas like civil rights, equality, world peace, etc etc. And believe it or not a political science graduate-cum-vegetarian stripper-cum-protest musician is part of this bunch. But the best part is that I don’t have to do a thing, just watch them from my couch and smile devilishly! Here is a fun video of a school marching band “covering” Killing in the Name. Enjoy!

SLAYER

Slayer is undoubtedly the most controversial of the “Big 4” in terms of lyrics, music, and pretty much everything else. Ideas like Nazism, white supremacy, Satanism, terrorism, war, murder, and all other awful-sounding words in the English dictionary can be found in the repertoire of the accusations towards this band. Kerry King’s feisty personality and uncounted feuds don’t help much either. Still, the band managed to leave its stamp in the Metal history as one of the most important bands and probably the most consistent Thrash Metal band of all. Recently, they joined the Heavy Metal marketing race when they named a wine after the hymn “Reign in Blood”. Full story here. It is only available in Sweden (where else?) and at the ridiculous price of €80! You may purchase here. The description for this wine is very impressive and effortful: 

"The wine, a Cabernet Sauvignon from California, is as uncomprimising [sic] and tough as the band. After a couple of Seasons in the Abyss, the wine has an undisputed attitude and a soft nose of dark berry fruits with oak and spicy nuances. Good mouth feel with hints of fresh fruit and juicy, smooth tannins. Well structured and rounded with subtle notes of oak, showing true Divine Intervention. Best company for the wine comes as no surprise, enjoy it while headbanging, riffing or with food, friends and great music. Reign in Wine!"

Honestly, Slayer was not one of the bands I listened to when I first got into Heavy Metal. But I was meant to and I soon realised there is not another band that “screams” more Metal than this one. I mean come on, even their diseases sound Metal: necrotizing fasciitis, a flesh-eating disease that Hanneman contracted from a spider bite! What’s more Metal than that? Oh, perhaps a Jagermeister add featuring Kerry King? Watch it here. I just love this guy's look!

Watch this space for the next chapter of this series.
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Image credits:

16 April 2012

In Quest of a Cure to Pop Music Attraction

For a long time now, I've been torturing myself trying to figure out why people listen to and most importantly like pop music. You will now ask “Why bother?” and I will respond “Because it bothers me and the social scientist in me”! Although the selfish side of me wants to just ignore pop music and the people who choose it, it is almost impossible. I, too, have a number of friends of questionable intelligence (sorry!) that choose to listen to a genre that not only bothers me but also induces some feelings I don’t really like and that I don’t generally associate with my character (e.g. rage). Still, I have a small number of close friends who, although they would normally rank high on a questionable intelligence quotient scale and belong to an older age group, they insist on listening to pop music.

Through the years I tried to closely examine and understand the reasons behind such important music choices by the people around me. I present to you here, what I have come up with until now, with a conscious try to be as objective as I can possibly be and not bring in my Heavy Metal preference and background.

Instant gratification
It is widely accepted even by the music industry “experts” that pop music aims at making people happy. Now the term happy here does not necessarily indicate genuine happiness. Instead, it entails a momentary or instant experience of positive feelings. I would constantly ask people “why do you feel happy listening to a talentless humanoid singing about saturated subjects that other music genres present more gracefully?” No response [and no surprise there]. I soon realised, by further examining their characters, that these people are experiencing a regression to their childhood. It is a fact that most followers of popular music are youngsters, usually 16 years or younger. This, although not encouraging, is no surprise. At that age, people don’t want to have to think about the music they listen to, they just want to have fun. Hence, older listeners of pop music are just avoiding the real world and focusing on the high feelings a pointless music composition with light lyrics induces.

Lack of interest in deeper issues
Let’s face it, pop music is no rocket science! Observations of people who listen to pop music led me to believe that they like their lives to be carefree, simple, and only being able to handle the occasional heartbreak. By examining the lyrics and musical compositions of a number of songs (as many as my poor ears could handle at the time) I came to the conclusion that pop music makes things simple and straightforward for the listener. Although most music genres have a common selection of subject matters, the lyrics in pop music make it easy for even a person in a vegetate state to grasp their “meaning”. While other genres would use intelligent words or even intelligent combination of simple words the pop genre is full of overused and cliché lyrics. E.g. your stupid boyfriend cheated on you with your best –male – friend; you are therefore heartbroken; you can do the same to get revenge; but you choose to drink your sorrows away; hence, you become stronger [because what doesn't kill you make you stronger, right?]. No wonder people feel happy when listening to pop songs. While other people try to solve riddles and understand hidden messages, the pop fan can sing along without even evoking any conscious effort or brain activity for that matter.


Lack of interest in musicianship
The previous point leads to this observation. When people don’t care about the quality of the linguistic input to their ears, they wouldn’t give a rat’s ass about the sound input either. The pop fan wouldn’t normally care about the musical technique or even the talent behind the person playing an instrument. As the matter of fact they don’t even have to since most pop music is created on computers using a combination of stolen catchy tunes from previous hits. And why would they care anyway, right? Like most of us, it’s not like they have to be tested on their ability to distinguish between a C minor and a D major [I don’t know I’m just guessing here!]. Finally, who even realises that most pop and nearly all hit songs use the same four chords. These guys do and they present a pretty solid case! Unsurprisingly, some rock and reggae anthems are condemned too but in these you can notice a balance in artistic quality between lyrics and music.

Fancy exteriors
Last but not least, I could not help but notice an attraction to nice façades by my pop friends. Arguably, we all prefer nice-looking people who are kind to our eyes. But when it comes to what your ears can handle as opposed to what your eyes wish for, most people would risk some eye soreness instead of dangerous sounds that may potentially blow up their eardrums. Not the pop fans though. My observational experience showed me that people listening to pop consider looks as an important factor. Now, I would regularly argue against that by citing lady gaga as an example and how a creepy human-like....... thing (?) like that could be so loveable to millions of (obviously) blind people. But then I would immediately withdraw my argument realising that in this case one may notice the overcompensation in what they serve to the listeners as character and showmanship.

These are my initial vicarious observations about the psychosynthesis of the pop fan. I’m still not satisfied by these observations serving as explanations as to why people insist on supporting this genre and will continue my quest towards finding out the even deeper issues surrounding such questionable yet idiotic choices.
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Image Credits:

31 March 2012

Precious Rocks & Rare Heavy Metals: Chapter 2

The second of a series of fun articles aiming to explore the impact that Rock and Heavy Metal artists/bands had on the world and the impact the world had on them. This series will cover a number of artists so all favourites are presented. Read the first chapter here . 

Please note: There is no specific reason (e.g. greatness, preference etc) for the order bands are presented!


JUDAS PRIEST

The leading band of the New Wave of British Heavy Metal (NWBHM) music, with its frontman Rob Halford, a.k.a. the Metal God, introducing homosexuality to the once thought of as the “macho” music genre. Halford also defined the whole Heavy Metal image with the introduction of leather, denim, studs, and everything S & M. Priest’s history though has been stigmatised in the late 80s, with court battles where they had to defend their music. The Vance Vs Judas Priest trial made subliminal persuasion a trend in that era. One good thing came out of it though; society realised how stupid people can be when it comes to interpreting simple phenomena.

It’s sad that what comes to mind for many when they hear Judas Priest is the crazy court battles over subliminal messages. The act of playing a vinyl backwards showed that people had too much free time in their hands and nothing better to do. Parents should have been more focused on the rising pandemic of childhood obesity considering all the cleverly chosen logo colours by the McDonald’s empire and the more obvious, not that subliminal, increasing number of fat children! An informative article can be found here. 

MOTÖRHEAD

I don’t think I’m wrong when I say that Lemmy is Motörhead and the most versatile thing out there for that matter. So low profile as being able to walk amongst mortals undisturbed, yet so high volume as to make even the strongest eardrum “kneel” before his bass; this man needs no introduction. In the past he was invited to the Welsh Assembly by the conservative party of Wales to give his opinion on drugs and more specifically heroin. To everybody’s surprise he argued for the legalization of the drug he, himself, hates so much presenting some good arguments. Full story here.

In a world where all Rock stars sold their souls at some point, Lemmy still remains the only one true to himself and his fans. Sure he’s been high, wrong, broke, with hundreds of women, but he rose from the hippies, defined Heavy Metal, admired by Glam Metal, inspired Punk Rock, re-established Heavy Metal, and still surviving Nu Metal. Lemmy is immortal. If you haven’t done so, I highly recommend reading his book and watching his documentary.

METALLICA

The leaders of the thrash metal movement, this band has produced more controversy than good records in the past few decades. A favourite to pretty much everybody, from your average hardcore heavy metal fan to your, below standards, typical pop music lamb. Still, there is more to their music that we know about. Apparently, some songs by Metallica have the same effect on monkeys as the St. Anger album has on fans, i.e. general apathy! In an experimental study by psychologist Charles Snowdon (University of Wisconsin) and cellist David Teie (National Symphony Orchestra), the behaviour of 7 pairs of tamarin monkeys was compared after two listening conditions:
  1. Listening to two ballads and two more aggressive songs, one of these the "Of Wolf and Man," by Metallica. 
  2. Listening to two calming ballad-type songs and two more aggressive heavy metal-like ones but this time incorporating the pitches and sounds of the monkeys and matching them to their tempo (x8). 
It seems these mokeys are indifferent to the No 1 condition, i.e. human music. But condition No 2 did induce some strong emotions! You may read the full article here.

Now my purpose is not to ridicule Metallica (again). As most of us I am a big fan and we have a saying in the Cypriot dialect, i.e. “Απ’αγαπά παιδεύκει” which roughly translates to “he who loves, tortures” (let me know if there is anything equivalent in English!). So therefore my point is: yes the St. Anger album left me with that cow-like expression which really translates to the more pedestrian “What the fuck?”. I will not elaborate on the feelings of mass-destruction caused by listening half a song from LuLu! Oh, and did I mention they want to put their music in cereal boxes now? [link] Aaaaaanyway, if you wish to read the lay-person summary of the above study, it can be found here.

Watch this space for the next chapter of this series.
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Image Credits:
http://www.fanpop.com/

16 March 2012

Precious Rocks & Rare Heavy Metals: Chapter 1

The first of a series of fun articles aiming to explore the impact that Rock and Heavy Metal artists/bands had on the world and the impact the world had on them. This series will cover a number of artists so all favourites will be presented.

Please note: There is no specific reason (e.g. greatness, preference etc) for the order bands are presented!


AC/DC 

The only band refusing to put their songs to be sold separately on iTunes and yet they have the lowest rates of music piracy. Coincidence? Don’t think so; traditional values is what defined AC/DC in the first place. But not only do they attract millions of fans, the Rock N’ Roll giants have a strange effect on the great white shark as well. According to a tour operator that organises cruises in Australia, after many attempts, he managed to find the secret in attracting the sharks close to the ship. These remarkable mammals are specifically fond of songs like “You shook me all night long” and “If you want blood”. Experts attribute this phenomenon to the sensitivity of the specific species to low sound frequencies, a characteristic of most of AC/DC’s music!

It’s not that this conclusion derived from rigorous research, yet no one can deny AC/DC’s awesomeness, even the animal kingdom. I wonder how the great white would react to Lady Gaga but all I know is that I wouldn’t want to be there when it happens...
Full shark story here.

IRON MAIDEN

Probably the band responsible for not so much as incorporating but establishing the intelligence factor in Heavy Metal. It’s frontman, Dr. Bruce Dickinson a.k.a. “The Air Raid Siren”, is the definition of a renaissance person. His talents range from piloting, fencing, writing, broadcasting, script-writing, acting, marketing, and some more which I am sure he doesn’t care sharing. He has a history degree from Queen Mary, University of London (for those that don’t know already, one of the best in the UK and worldwide) and has recently been awarded an honorary doctorate of music from the same University. The University’s announcement can be found here.

In an ingorant society like ours where people consider Heavy Metal as the caveman’s music, bands like Iron Maiden step in to show us otherwise. It is a fact that lyrics as much as music in Heavy Metal do require a bit of homework if bands are to be taken seriously by fans. In addition, the once-thought uncultured genre, is now followed by more intelligent fans than any other. Although some good research still needs to be done on this subject here is an interesting outline of a study from Warwick University which found that gifted students prefer Heavy Metal.

BLACK SABBATH

Widely famous, not just for being the godfathers of Heavy Metal but for other oddities as well. We all know about their obsession with the occult and have heard a thing or two of Ozzy’s mischief. But the most distinctive characteristic that defined what Black Sabbath came to be during the past decades is Iommi’s re-invention of the “Devil’s chord” or the tritone. The tritone was also evident in Wagner’s compositions and represented evil (i.e. devil, sex, and lust), for which it was banned during the Middle Ages. When asked how he came up with it, Tony said that it simply felt right.

Imagine how differently Heavy Metal would have evolved if Iommi hadn’t “discovered” the specific musical interval. For those of you that do know a bit more about music here is a piece on how to play like Tony. I’d like to see you try!

AEROSMITH

Admittedly, the most remarkable thing about Aerosmith is Steven Tyler’s wide vocal range and technique. Steven featured in National Geographic’s documentary “The Incredible Human Machine”, where you can literally see his vocal chords vibrating at up to 170 times per second during his famous scream falsetto on “Dream On” whilst performing live! Some say he’s falling into the category of a low tenor. You can catch the clip from the documentary here.

There are very few vocalists that have amazing vocal abilities and it’s no surprise that many come from the Rock and Heavy Metal genre. I came across this interesting blog post where a voice teacher with no prior knowledge of them, analyses the vocals of 5 great Heavy Metal singers, amongst them, the great Rob Halford. Although the title is a bit patronising for its purpose, it is still worth a read. Read it here.   


Watch this space for the next chapter of this series.
Chapter 2 can now be found here.
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Image Credits:

07 March 2012

Review of Rammstein (Made in Germany 1995-2011 Tour 2012)

Review of Rammstein (Made in Germany 1995-2011 Tour 2012, The Capital FM Arena, Nottingham, UK):


Venue: Small arena, good acoustics, and very good seating 9/10

Quality: What is there to say, Rammstein are pure quality 10/10



Passion: The show itself shows how much these guys love what they do 10/10

Running Time: Good 2 hours set for the show offered 9.5/10


Set List: All one would expect were played (Mein Teil, Du Hast, Amerika, Ich Will, Engel etc) 10/10


Crowd: Good but not good enough, I guess everyone was stunned by the show 7.5/10


Show: Unbelievable! I have never seen so much pyro, stage equipment, and leather pants in a single gig before. Show included: moving stage, fire, smaller centre stage, fire cauldron, fire, sparks shower, fire, bow, fire, moving penis, fire, wings, fire, wearable penis, fire, propellers, fire, boat, and did I mention fire? 100/10


Overall Experience: Everybody needs to experience at least one Rammstein show in their lives. As many have said before, it is a great value for money and at the end we were left wondering if they actually make money out of their gigs considering ticket prices. Oh well, the important thing is "Zee Krazy Germans" did it again! 10/10

Videos can be seen here: http://www.youtube.com/playlist?list=PLF0B5807D75D72CB5&feature=view_all
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22 February 2012

Where Do You Stand In The "Twattering" World?

by Guest Author Jokka

Express your most insightful thoughts to the world in 140 characters or less. Some of us politics students can only dream of a world where social scientists would be so kind as to be that succinct. That said, in the brief time that Twitter has caught and held my attention I have found it somewhat difficult to condense a thought into 140 characters without havin 2 make sum serious compromises 2 my spellin n grama, a task that is in no way natural to me on account of my time spent in the long-winded world of social science. Why use 140 characters when 140 million will do? Because it's fun I hear you cry! Here's my take on the weird and wonderful people who flock to the phenomenon that is twitter.

Image by Tony Gigov
The Nympho Tweeter 
This tweeter is prolific and not afraid to show it. Often these users will log on through their mobile phones, tweeting their every thought, move and traumatic event. Quantity rather than quality is often the angle with this bunch.
E.g. So now Im @ the station waitin 4 my train. Got a mag & sum crisps from the shop. Yay

The Gluttonous Tweeter
Often a direct descendent of the Nympho Tweeter who perhaps has run out of things to say. This tweeter is seemingly always eating, posting details of their every meal and even posting pictures of everything from their gourmet burger at the local gastro pub to their failed attempts at a chocolate soufflé.
E.g. 4 lunch Im havin a BLT sarnie on brown from Greggs n a red Ribena. Dont no 2 get pasty 2

The Comedy Hash-Tag Tweeter 
This is the kind of Tweeter that I one day may aspire to be. Not prolific enough to be annoying, and certainly witty enough to be worth a read, the Comedy Hash-Tag Tweeter will tweet anecdotes from their day, or interesting thoughts and insert a hash-tag with a comic twist. 
Eg. I just realised I can fit 34 grapes into my mouth at once. #slutty

The Trendy Tweeter 
The tweeter will observe what the current trends are on twitter and then proceed to tell everyone who or what is trending, often to their disbelief or disgust, and include them in the post thus continuing the trend. This particular tweeter baffles me. The activity is not dissimilar to the real life scenario created by stock market speculation, without the often horrific consequences, though still just as systemically inevitable and pointless. 
E.g. OMG *insert z-list celeb here* is trending. Why the hell is #*aforementioned z-list celeb* trending!! Uhggh!!

The Retweeter A.k.a The Distribution Tweeter
Pretty self explanatory... They use Twitter for the sole purpose of spreading or re-tweeting what someone else has already said, seemingly unable to make a similar remark in 140 characters or less. Although, they often re-tweet interesting links when they fancy.
E.g. RT wat Thatotherguy656 said

Image by Tony Gigov
The Spam-Twitter Tweeter
Most of what is on the internet is not actually porn as many believe but spam. In actual fact, spam is a tech term for advertising. The real life equivalent of junk mail. Often falls under two sub-categories:

- The Ordinary Spam-Twitter Tweeter
People using twitter to spread phishing scams and advertising club nights, home-made jewellery and just about anything else you can possibly imagine. Ordinary people circulating spam will be reported and possibly banned from Twitter.

- The Celeb Spam-Twitter Tweeter
Celebrities using Twitter to promote their new book, CD, tour, film and anything else you can possibly imagine. Alan Sugar is a frequent offender on my homepage. Celebrities circulating spam will make lots of money and be adored by Twitter. 
E.g. Club Getyourtitsandlegsout.Sat.Cheap drinks.Presentin DJ MydaddyboughtmeamixingdeckandBeatsheadphonesforxmas
E.g. Buy my book u nonces! NOW! *Amazon link*

[BTW - I hope you all enjoyed my play on words dedicated to every ones' favourite surprise meat breakfast treat. It's there for you in good times and nuclear fallout alike].

The Silent Tweeter
Doesn't actually do much tweeting at all but simply uses Twitter to keep tabs on celebrities. Often these are obsessive individuals. May lead to actually physical stalking, which I am obligated to state could lead to prosecution in the United Kingdom.

The Ex-Facebooker Tweeter
People who moved on to using Twitter when they found themselves constantly updating their status and not doing much else.
E.g. #MarkZuckerburgisdissapointedinyou

The Everything-But Tweeter
This tweeter will often be the amalgamation of many kinds of tweeters – Retweeting, spamming, answering to tweets, silently stalking etc... However, regardless of the mix they all have one thing in common. They never tweet any original tweets of their own, but will agree to do 'everything-but', thus keeping their Twitterginity intact – arguably.

The Complicated Tweeter
How would I describe my relationship with Twitter? It's Complicated. I'm a bit of commitment-phobe and I don't want Twitter to get its hopes up. Besides, I might just stay with Facebook for now until google plus' chlamydia clears up.
E.g. I'm really starting to understand this Twitter business #lies

So tell me, what kind of Tweeter are you then?
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Jokka is currently unemployed but will tell stories for food. She loves stand up comedy, Chuck Palahniuk, bizarre films and eating. If she could spend the rest of her life doing one thing she'd spend it on a beach with bottle of rum in one hand and a man with low standards in the other while she dictates her articles to a type-writing parrot with a higher IQ than most of the cast of Glee. She is simultaneously looking forward to and dreading her stand up début next month. You can follow her thoughts by visiting her blog at http://thelaughingarmadillo.blogspot.com/
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Image Credits:

15 February 2012

Gigs, Cameras, and Weird Smells

Filming at gigs. I know, I know... Annoying, right? And probably illegal!
Some will argue that taking pictures and video-recording at gigs and festivals are the definition of "uncoolness".

Hey asshole you are blocking my view
You are standing there in the crowd, at a hotspot you guarded for two hours in advance, waiting for the curtain to fall. Everybody around you becomes restless as the allowed 15 minute window of opportunity for bands to show up before everybody starts to swear (obviously not applicable to Guns N' Roses), is coming to an end. Then it happens. Just seconds before the opening drum beat, the clicking noises and the blinding flashes, torture to your senses. Hands are in the air in various arrangements, some forming fists, the sign of the horns, and others clicking away relentlessly. Point is, you cannot see beyond hands holding cameras, so you may as well count on your sense of hearing (whatever's left from it!).

The a-live experience
Between the smell of sweat (especially if good old nature and genetics have not been kind to you and you are lucky enough to be of, what I call, "armpit-level height"), blood, and the odd fart, the experience of being part of such a large mass and the live on-stage performance can be a natural high - without the drugs. You ought to enjoy what you see and hear because lets face it, you probably paid a respectable amount of money to be there.

Talent unfolding
Guitar solos, unbelievable drumming, out of this world vocals, outrageous outfits, pyros, laser lights, moving stages.... I could go on for a while here. Most acts sing and play their hearts out for our, the fans', own pleasure (and money of course). Naturally, clapping  and cheering should not be replaced by clicking.

Despite all the above, not all have the money to buy all the brilliantly filmed yet significantly over-priced DVDs companies produce. I am, personally, not satisfied by just living the experience and from time to time I like to watch my well-organised collection of videos. Who wouldn't want to have a personally-filmed video collection of the late legend RJ Dio? [sigh] And lets face it. Most of the legends we now see live on stage (be it the "last" tour or reunion) will either be to old to rock or dead by the time my biological clock ticks! I want my children to have something from my "era" which signifies the hand over of the "Metal flag" from the godfathers and godmothers of Rock N' Roll to the newbies. 

Weeeeell, you've probably realised that I am one of those annoying people you see at gigs filming their hearts out! Before you start sending hate-mail though, I ought to say; I have been to many gigs in the past where I have not filmed nor photographed a single movement coming from the stage area. I have been part of wild masses (thanks to the Greeks!) where I was knocked to the ground by over-enthusiastic fans, and had my fair share of "wholesome" gig experiences. 

During my 10 or more years of experiences like these, I managed to develop a set of internal rules (i.e. never actually put in a list until now) for practising two interests at the same time, photography/filming and gig-going with minimal intrusion and maximum enjoyment! Here it is:

1. Choose your spot
As I wouldn't want to be the one sworn at for blocking the view and due to my limitations in the height domain I usually choose seating at gigs. Therefore, I can just rest the camera on my knees and film away freely without loosing the feeling in my hands and subsequently skipping the trendiness of what it has recently become the listening to Heavy Metal, meaning "a youth gone wild", with their ridiculous yelling and screaming.  

2. Know what to record
I would not recommend filming the whole gig as it is tiring and you end up loosing the meaning of the whole thing. The key is to film your favourite songs and skip the mainstream ones, unless only those ones are indeed your favourites in which case you are probably part of the "youth gone wild" described above.

3. Delegate where appropriate
A technique that works wonders is to delegate the responsibility of the filming to your partner or a friend who are not particularly into this kind of music but go along with you as a favour! Then you are free to go as wild as you want or can. [Special thanks to my special person are in order here]

4. Do it properly
If you are going to film, do it properly. That means buying a good camera, managing to hide it successfully through the security checks, and recording good quality videos. Nobody wants to watch  a shaky amateur video on YouTube! You will experience the odd Parkinson's-like shake, bums of people walking in front of you etc but at least the picture and sound should be clear. And lets not forget: record whole songs not just intros or choruses!

5. Do it for fun
If you are doing it to just show off to your friends, you are a dumb-ass! [Sorry, but you are] Do it because you enjoy it or if you are emotionally tied to collecting souvenirs of your experiences.

In this era of digital revolution, filming at gigs cannot be avoided or even banished altogether despite various attempts by promoters. If you are like me and you still want to do it, learn to respect the others around you. And don't forget, a gig or a festival is a collective experience, so don't immerse yourself in your filming otherwise you will indeed loose the whole point, be it smelly armpits, beer showers, screams to the point of hear-loss, pushing, grabbing and all the good stuff that come with it! That is  the point anyway.
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Image credits:

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